with litote ep, torrebros (numoment recordings / komplex de deep) signs here 2 tracks techno oriented. while part i integrates an organ hypnotic groove, part ii approaches an acid feeling by a heady bassline. borrowed identity (mistress recordings / quintessentials) proposes a catchy remix of part ii with the adding of a subtle vocal loop.

wow.. such release. very house. much vinyl! the wise meme-tainted words of doge ring out wide across the internet and now come stamped onto wax with this mysterious white label release, featuring analogue house cuts spanning chicago, detroit, new york... this be the fiyaaaah! limited run so don t sleep!

limited available in a nice pack, material024 / material031 and materialltd013 featuring franco cazzola & titta, oscar, ji-fi, gummish & mihalis safras remixes from *the organ track* by samuel l session.

this time around is the long awaited follow-up to the succesful probe album by roswell return. the original is a mesmerizing piece of minimal electronic music, heavily inspired by composer steve reich. more than 10 minutes of pure synth bliss. on the b-side syncom data take it into deep techno territory with a shuffling and ridiculously low-end remix thats both warm and unsettling at the same time. deep basslines keep pushing everything forward, while the constantly rising church-like organ brings a nervous mayhem quality to it.

maddisco is back again with yet another 4 edits all on one 12inch, first up we have a serious piece of dance music designed for maximum effect on the dance floor, infectious bass line, heavy hammond organ, tight drums, add some brass stabs bit of guitar with just a sprinkling of vocals and weve got one hell of a party vibe goin on.

jbla came into being after julian jöckel (midnightopera) and stuart argabright (ike yard, black rain, o13) performed at a party in brussels on the 5th of oct. 2012 on invitation from bernardo risquez & michael langeder (different fountains). they all had met for the first time the year before through michael kreitz from meakusma when different fountains & o13 played concerts in eupen. after staying at different fountains studio the day after the brussels event they set up a rather improvised jam session. julian played synth on a yamaha dx7, bernardo worked the low frequencies on an old eminent organ while michael contributed machine sounds and took care of the live fx engineering. stuart put together some words and brought a beat to the occasion of the jam session at the df studio. during the short euro tour with ike yard, l.i.e.s label head ron morelli and artist svengalisghost came to the paris show and were talking with stuart about the streetwalkers of belleville, specifically the sad chinese hookers out on the street. combined with news about recent foxxconn workers suicides in china and witnessing altercations close to the air bnb where he stayed. the belleville ep are two cuts from that session with remixes from ron morelli + svengalisghost and vereker, pressed on translucent vinyl.

ponsactrilau, the new label of rico puestel is setting in, coming strong and distinct! after highly acclaimed releases on pimprinella or san franciscos very own mothership, rico puestel strengthens his musical vision of deep and storytelling electronic compositions, wandering through the realms of house - represented by the two originals roja drifts by (a relentlessly inspiring and vast scenery, based on one mighty orchestral foundation) and south serpentines (a cheerful and synth-frisky journey). accompanied by timo jahns, living out his very own and unique way of a strong rhythmical presence combined with gently floating atmospheres in his interpretation of roja drifts by. sheer bliss!

berliners dirk leyers and nomad expressed their hard earned musical freedom in a dogma: the use of a roland tr-808 analog drum machine in every single track. they programmed the machine to lay poly-rhythms over multicultural drum and percussion tracks, fascinated -and sometimes puzzled- by its own characteristically sudden swing and accent changes, and named it: africaine 808 - their third and first female band member. in the first year of their musical joint venture, the three spent quite some time in remixing and editing some of their favourite african and island funk tunes, transforming the old gold into modern dj and dancefloor friendly tunes. the sound of organic grooves mixed with 808-beats and analogue synthesizer basslines became soon a trademark sound, and more and more samples got replaced by live played guitar, bass, organ and percussion. the trio experimented with different tempos and styles ranging from slow cumbia and exotic rumba themes to island-funk and percussive disco, electro and house. in spring 2012 they first took the project to another level, turning their tracks into a full live act at one of the vulkandance nights in berlin. today the project is growing and integrating guest musicians, drummers, percussionists and vocalists - for live performances as well as for recording in the studio. 100% sonic voodoo golf channel every time!

for the next of our adventures on the black stuff we hand the wax honours over to one of our belfast crew and robust house head jc williams.

lphs second record of the year is quite a doozy. once again, label co- founder/owner, jacques renault, steps up to the plate, equipped with some tnt laced with his special sauce.

jeremy glenn continues on his quest to go deeper in this 4 track ep for quintessentials. the title track, wait for the night is anchored by a pulsing organ bass line, complimented by dark, pitched down vocals, simple lead lines and the occasional falsetto from glenn.

sai with his debut release for rondenions ragrange label. four of the highest quality house tracks with yoshimitsu interpretering it from a more darker approach with sub heavy basslines and deep hypnotic organ synths on his truth of tweets remix. highly recommended!

the singular colaboration of the russian singer lena kaufman and the parisian film-maker dj oof. they make their music with field recordings of sea organ, kisses, film samples and vintage synthesizers.

(bronze coloured) the organ track during the credits of the movie the sound of belgium finally out on 12inch vinyl in its full length glory. in addition walter hus present 2 more timeless belgian classics plus exclusive bonus track. decap forever!

(red coloured) the organ track during the credits of the movie the sound of belgium finally out on 12inch vinyl in its full length glory. in addition walter hus present 2 more timeless belgian classics plus exclusive bonus track. decap forever!

cardiffs best kept secret chesus debuts on 4lux with a release of his own. 4 strong deep house tracks. cleverly combining the old with the new, chesus shows his amazing production skills once again. the single features collaborations with fellow cardiff producers kofi tarris and, of course, the organ grinder with whom he previously released the club banger steam roller. tip!

recorded in berlin at studio schwedenstrasse one day in june 2010. recording engineer: marco paschke. mixed and mastered by daniel karlsson in stockholm at elektronmusikstudion. mika vainio - electric guitar, processing, metallic percussion. joachim nordwall - electronics, electric bass guitar, metal objects, hammond organ, vibraphone.

hvnxx is one of the most special projects weve taken part in as a label. some months ago the xx and young turks asked our artists to remix tracks from coexist. it was a big honour and also a big responsi- bility, specially considering that the xx is one of our favourite bands. the outcome of such challenge is a four-track ep that showcases the sound of both well-established members of the hivern family, such as marc pinol and new jackson, and upcoming talents such as round and mistakes are ok. all four remixes are pretty different among them, but they all manage to maintain the distinctive spirit of the original songs in their own way. marc pinol takes fiction to the good ol days of chicago house, laying the original vocals on top of analog drum-machines and a rubbery bassline to that suggest an imaginary collaboration between adonis and oliver sim. the elusive mistakes are ok maintains the tropical vibe of reunion but provides a warped atmosphere combining breezy chimes with static haze and a propulsive bass that boosts the song towards the second part of the remix. hiverns latest signee round transforms the fragility of missing into a soothing house cut through uplifting organ chords and vigorous rhythms fulfilling dancefloor demands without loosing its melancholic character. finally, new jackson proves once again his knack with nocturnal ambiences flipping swept away into a sensuous deep-house gem guided by an absorbing piano and a slow but steady groove. the release comes in an embossed sleeve with artwork designed by arnau pi. hvnxx is a co-release with young turks.

the relentless work ethic of dj w!ld shows no sign of slowing down with another amazing ep, this time through his own imprint the w label, that unleashes four new tracks plus a dubbed out remix. in contrast to his recent output on other labels the four tracks sit firmly in the dj tools category with stripped back arrangements, raw-to-the-bone underground house grooves and drums showcasing all that is good about the parisians highly in-demand dj sets. head-nodding tribal infused percussion is the main theme with tracks blind and miami bitch setting the scene with a brass breakdown in the latter that is sure to send shivers down spines. narco switches things up with its core element focused around a shoulder shaking bass organ straight out of the 90s. on board gets and original and re-worked dub outing with hypnotic congas and a vocal that loops inside the mind.

another french producer on local talk? yes, you are damn right. let us welcome max fader aka s3a (sampling is an art) to the family. we have been keeping an eye on this talented producer who has been making waves with his massive releases on phonogram, hold youth and 4lux. sleepless 909 and intensity are great examples of s3as tightly spliced works of wonder. disco and funk fueled loops paired together with slammin hi-hats and organ stabs. does it kick? hell yes! this 10 inch will keep any party moving. local talk is talking to you!

full intention bring back one of the most defining era of house music, with a double a side ep ! icon is a huge club track, already tried and tested in ibiza, with warm deep chords, a cheeky bassline and strong beats ! madness has pure house vocals, a nice old school organ and disco snippets, to make you bounce and groove through the night.

dj support so far: tensnake, deetron, huxley, joris voorn, ben westbeech, george fitzgerald...
having produced some stellar jams for labels like somethink sounds, and giles petersons brownswood, eliphino aka tom wrankmore, debuts for hypercolour this autumn, opening up the labels new term with this solid two track release. i dont care opens the account, all chopped up rnb vox and rolling beats, wrapped up in a super smooth melody. already road tested by the hypercolour firm over the last few months, this deep garage vibe hits the sweet spot for sure. on the flip, understand further plunders eliphinos love of rugged garage beats and an ear for a catchy hook. a feverish interplay of vocal chops, keys and organ stabs keeps up the ante, with some decidedly trancey synth parts ramping up the 90s house influences here, and once again a cut that most definitely brings the heat to the dancefloor.

jon mcmillion steps aboard the zoombezoom ship as it sets sail into a sea of dreams of future past. he gently weaves the sounds of jazz piano and disco organ loops with darkly glittering garlands of drum computer sequences and moody bass lines he journeys far to shine light onto deep emotions and inner beauty.

addison groove launches his new label lost in translation. first release is a limited hand stamped vinyl only release from chesus & organ grinder. 2 supreme slabs of ultra dirty house which should come with a parental advisory sticker!

nicolas cantu makes a welcome return to sequencias with the lost tribe—a brisk 808 workout with lush synthwork and psychedelic acid stylings. this is a more breezy approach compared to his work on other labels yet spares none of the imaginative or emotive qualities. on the flip side, label head jm de frias offers up the dissonant groover the light as a follow up to his debut track from levon vincents acclaimed fabric mix cd. brash percussion collides with staccato melodies awash in echo and organ, sustaining an intensity that never quite boils over. the two team up for the closer the last light, an atmospheric epic of growling strings, breathy ambience and melancholy stitched together with creaky, decrepit acid stabs and brittle percussion. this is the beginning of an on going collaboration between the two, keep your ears open in the near future.

> cant wait<,is reminiscent of some of vonstrokes deeper classics while also pushing further into new territory. a sense of restraint and release play games throughout this melancholy tune with a fat bassline locking down the groove. >cant wait< has fleeting moments of euphoria that are both surprising and uplifting especially for a summer open air crowd. coming up strong on the b-side, >the clapping track< shows us the fun side of vonstroke where he cuts apart 16 claps and then brings them back together - building up to a standing ovation as a resonate organ sounds. this house anthem has already been destroying the dirtybird ibiza residency and summer festival circuit as well.

a four-track ep, bemired and evil-eyed, but with room for arnaldo to breathe out and flex a little after his spooked, sparked contribution to blank slate 001. the opener is a dubwise bubbler, with spaced-out keys, free woodblocks, shuffling hi-hats and elastic 303 bass. atmosphere breached is more jazzy and messed-up, running funky organ through sizzling fx, syncopated handclaps and filtered groans. the flip is dancefloor-trained. our pick of the bunch, verano is in a dark, hissing, aqueous world of its own, chugging and stomping, with relentless tambourines, crunchy filtered tribal drums and detuned horns. heads down to close: lost voices and a 909 kick, chattering hi- hats and rattling percussion administer the licks.

blaze colour burn ist die neuste arbeit des innovatoren und pioniers der elektronischen musik, jan st. werner von mouse on mars, lithops und microstoria. er eröffnet hiermit die fiepblatter-serie von thrill jockey, die elektro-akustische experimente, algorithmische elemente, notenblätter, digitale signalverarbeitung, feldaufnahmen, improvisation, öffentliche aufführung und grafische arbeiten umfasst. es wird bei den arbeiten nicht nur um klang, sondern auch um ort, zeit, struktur und Ästhetik gehen. st. werners technische fähigkeiten und avantgarde-strategien gehen hand in hand gehen mit einem natürlichen und unerschütterlichen sinn für lyrik und harmonie, komplexität kommt nicht auf kosten der schönheit. die lp erscheint mit mp3-download-coupon.

ltd 180gr vinyl repress
one year old and four releases deep, retreat present its first 2010 offering with the long awaited second volume of the treats series. featuring 3 exclusive tracks from session victim and quarion, treats vol.2 showcases the producers ability to move beyond the traditional house sound, incorporating more soul and disco influences as well as coming up with a few surprises! session victim start things off with the magical danish daughters, a slow groover that begins in a gentle but assured way, sparking your interest with its infectious guitar and piano loop until the beat kicks in and makes you irrepressibly shake that thang. adding a synth line here or a bell sound there, the duo keep the pace of the track steady until a startling guitar riff breaks it down, giving way to the original loop to return in its full glory, complete with extra organ dashes!

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

having established the w&o street tracks imprint in 2012 to further push the revivalist house sounds of themselves and their contemporaries, waze & odyssey kick present the labels first release of 2013 with a double header of hot house talent. on the a-side, ejeca, who helmed the last w&o street tracks release teams up with us based rhythm operator on raid, an initially tense house number which explodes into a catchy sequence of lysergic 90s stabs, complete with whooping vocal sample. on the flip, rising london producer citizen builds on the momentum from a year of strong releases on love fever, five easy pieces and kerri chandlers madtech with in my mind, a heady combination of hypnotic vocal loops, thick bass, and narcotic organ chords which display a darker side to the producer.

lower east, the brainchild of cozzy d & lee brinx, returns with michael jansons brand new single *addiction*. following his debut release *i know you re feeling ok*, jansons returns with this slick new offering, stamping his authority as one to watch for 2013. title track *addiction* kicks off the proceedings and is deceptively ambient, before jansons drops in a pulsing bassline that rolls out under mizbees eerie yet classy original vocal.
*addiction* is given the remix treatment by none-other than detroit dub master marc mk kinchen. mk retains the deep, gritty and brooding elements of the original, adding his own trademark organ riffs. on the flip side *just us* deliver a more uplifting affair, with a precision bassline and chopped and cut vocal samples adding a touch of soul to give the record and overtly classic house feel.

hot on the heels of ornate musics last release featuring the bumping house business of digs, the imprint set their sights on welsh producer leif, who has been turning heads with his masterful deep house for labels like fear of flying and fina since 2003. kicking off with *circumstance 4*, whose smooth organ refrain drifts over a lightly rolling groove, the vibe switches up with *every cloud*, whose gentle jazz-inspired piano and abstract, dubbed out soundscape is strongly reminiscent of floating points more freeform productions. however, it is *each day made new* that provides the eps most surprising moment, an andres style hip-hop track with a cut-up, sunshine drenched quality calling recloose to mind.

tropics a.k.a. chris ward first appeared on planet mu last year, following up two eps with the album parodia flare. commended by pitchfork for his lush soundscapes and hazy pop, whats clear with tropics is that he listens to a lot of dance music and he cares about production values. the synth and beat programming is as competent as anything out there, and he avoids lazy indie stylings and one button bontempi organ beats – his are crafted songs, much of the pleasure lying in his gift for dynamic arrangement, which is a joy amid rafts of useful formulaically assembled house tracks.
in common with the general post-financial collapse vibe there is less sunshine in this ep than before, and he has absorbed something from a year of intensive house music listening, but chris essential qualities remain a forward-looking wistfulness, hope beneath melancholy, something even more acutely needed now than before. oh look! here comes winter.

following the release of *everything hits*, his debut album for rush hour recordings, this eps three tracks are among the most unique and charming expressions of policys already eccentric aesthetic. let the title track prowl through soundsystems, stabbed with cavernous horns and dogged by the most infectious woodblock in recent memory. employ the ebullient *walk up* to add some fizz with dizzy organ riffs and jaunty brass notes. or perhaps conjure a reflective mood with the tensely plucked bass lines, bittersweet melodies, and live percussion of *thick nostalgia*.

we are super stoked to have this killer ep out on local talk as we have been big fans of both c.r.s.t. and chesus productions for good while now. as these guys are down with both house music and the uk garage scene we get served an ep that combines the best of both styles. the result is a jacked up house release that would work equally well at the classic new jersey zanzibar club or in your dirty london basement club. the first three tracks (monster munch, newark and life) takes us on a deep and jackin house trip with a bouncy garage twist. but to stir things up a lil extra the last track (special) goes all disco with some soulful philly samples ... perfect for the southport weekender crews!

having established his own basic grooves imprint with a trio of sultry new jersey influenced house releases, shane linehan hands the fourth release over to up and coming french producer janeret. *hard deep* goes even, ahem, deeper that linehans efforts for the label, combining a slamming mid-tempo kick drum with crisp and cavernous dub piano chords and the subtlest of organ riffs, making a nice contrast to the more upbeat styles of linehan. on the flip, linehan delivers his own version of track which ups the tempo and offers a ravey, pitched take on the originals simple one chord piano line, complete with bristling hi-hats and warm pad breakdown.

the secret of luck lays not in property, but in giving. therefore klangkuenstler and shemian are releasing their first ep on kallias which is at the same time the first in 2013. the >gluecks ep< spreads this feeling through a successful conception of ist four tracks. the jointly produced >spiel mir das lied vom glueck< initiates this in a wonderful way. through playful chimes and mellow organ sounds paired with melancholic strings it let sunny feelings come up even in cold winter days. the remix of geschwister schuhmann is an outstanding and yet completely different interpretation, with its dreamy vocals, nestled in a warm and spherical soundshell created by the interplay of gentle organ sounds with synths, strings and mallet percussions. with >einhornallee< the b-side starts with a driving pumping groove and a hard syntheziser line dissolved by gentle chimes. >welttraum< fascinates because of an dramatic arrangement supported by extremely tense strings and fullfills it with a catchy xylophon melody.

after 21 releases and covering most areas of house its time to introduce anaxander and present a new sound to the ever growing local talk catalogue. the a side antionette is a perfect electronic influenced body-locking flavored track, an organ alongside a bouncing bass and a rhythmic feel is sometimes all you need to get moving ! its the b-side that really take things to the next level. anaxander both puts his own clever stamp on these two tracks and delivers acid in the old, vintage sense that owes more to the raw and unpolished club tracks played by ron hardy at music box than to the old school house vibes you have expected from local talk. both cat feeding and i want you now are two tracks of a new era of local talk. innovating, futuristic and original produced electronic analogue funk for 2012

the second part of the >what about talk about< series by baaz starts with >owls night<. a deep house tool with a vigorous bassline, some classic 909 elements, weird vocals and a pumpin piano chord. >those things< the second track on the a, infects you with positive vibrations and the magic mood. the b side enters with a remix by the highly skilled producer michel bauman under his moniker soulphiction. he turned the track called k.m.s. into an emotional and strong kicking house tune. a cut for the special moments. the original is produced by iron curtis & baaz . 90 bpm, a dippy pipe organ, wooden beats and shaky percussions. the last track >whatabouttalkabout< is a lush experimental listening slice, prober for the dark and chilly winterdays.

making their long anticipated debut on colourful is danish outfit zohdy & senna (twobirds). title track showcasing a beatitfully crafted song with gorgeeuos deep harmonies and a bassline to die for. david keno takes the remix to 80s disco territores, yet with a firm beat to move any floor. flip side sees the duo wander into acid territories withkeep the beat and to wrap things, a solid deep builder with a totally addictive organ hook

as a man well versed in the moves of the old-school, fabio monesi launches his albion imprint with the immaculately executed styles of 623, full of sexy 90s synth notes and crisp, pumping beats. washerman brings a more rugged style on his remix of the tune, dropping in some cheeky and thoroughly familiar samples, while the melody wobbles around an amorphous scale. the peephouse finds monesi reaching back to the soothing organ tones of the dx7, with a gentle and piano-driven throw down that stills carries plenty of heft for the floor. rio padice steps up for another remix of 623 and spreads a strange and nervous shape-shifter of a late-night jam, scattering the vocals like confetti and nudging the drums out of joint on a whim.

having surfaced with a few potted releases in the mid-nineties, my love is underground have taken it upon themselves to call upon las teflon dons to reissue three punchy lessons in that currently most mined of house music eras. theres no arguing with the authenticity of a track like planet eater, as the subby bass and pounding drums take the lead with just subtle dabs of noise and samples chilling in the background. sun fist rising has a more rounded atmosphere, leaning on layers of keys and a classic garage shuffle for a sweet and soulful end result, while psycho ray gets on a darker tip with creepy vocal samples and moody organ bass

incl 2 bit crew, lgg, volta cab and rosenhaft. 2 bit crews just cant seem. taking a sound heavily influenced by the underground house music / garage sound of the 90s, this is a bumping groove with a driving bassline and hatswith a simple female vocal sample that will stick in your brain. the second track takes things deeper with bastien carrara aka lgg with let me, smooth rhodes chords with a love sensation sample underpinned by raw beats and sub-bass. on the second side things get a little tougher. the third track is from a producer who has had many releases already on labels such as balance alliance, seven music and undertones, konstantyn isaev, better known as volta cab. his track what is underground focuses primarily on a killer bassline, retro synth stabs and a cheeky hip-hop sample used to great effect. finally is haim rosenhaft, a young producer from israel with 1992, his homage consists of an old school organ sound with heavy kicks and snares influenced by the sound of labels like umm and cleveland city in the 90s. again this will be a vinyl only release

the two part makers series is the result of a bourbon fueled studio jam involving four prolific producers, using an array of gear ranging from a modular synth to a farfisa organ. throw in a 6 part saxophone harmony, shake, stir, record and there you have it. makers.

neuauflage des albumklassikers von 1980, aufgenommen im channel one studio und abgemischt in king tubbys studio von scientist. der produzent henry junjo lawes engagierte folgende musiker: bass: errol flabba holt, drums: santa davis, sly dunbar, style scott, guitar: sowell, bingy bunny, melodica: jimmy becker, organ/piano: ansel collins, steely, gladstone anderson, percussion: bongo herman, sky juice, sticky thompson, saxophone: headley bennett, trombone: val bennett, trumpet: bobby ellis

big with: mosca, eats everything, deetron, gerd, droog,… a marriage made in heaven on this white label 12 inch from huxley, one of this years biggest names in house music and the legendary producer mk. the original of no matter what sits neatly between house & garage with an original vocal providing a mesmerizing hook. the mk dub delivers on every level and is classic mk with his trademark organ bass and stuttered re-working of the vocal

morgan zarates second release for hyperdub is a bold and unexpected move for him. he has been known in the past as the producer for leftfield soul group spacek and also currently as one half of the shining, signed to xl records, but with >broken heart collector< he has made some highly contagious dubstep pop, featuring rising singer / songwriter / producer stevie neale on vocals. stevie warns of a guy who is the titular >broken heart collector<. her rnb vocals contrast with a fierce storm of drums and vertiginous synths that attack like waves against rocks. it is a brilliant pop song, with a chorus earworm you might find hard to resist. there is also an instrumental included as well. the third track is >crey bey<, an energetic, grimy 8 bar instrumental. it shifts between dive-bombing synths and a spooked, nervous melody over a rich organ track, with martial kicks and snares guaranteed to get you bouncing.

hailing from ireland, shane linehan is committed to showcasing the finest that new jersey-styled house music has to offer. having impressed with his release for local talk, he returns to his own basic grooves imprint to get the good times rolling with aplomb. >ilinx< wears its heart on its sleeve with a crisp beat that makes all the right moves, while a slick organ chord line takes centre stage in an upbeat revelry written for the start of the weekend. >so now you know< on the flip is a more contemplative affair, although no less steeped in bumping house culture. the keys are played in a more downbeat refrain and the beats a little more restrained, but this is still very much a dancefloor burner